New: Torch Enameled and Stained Glass Mosaic Cat Suncatchers

These cat suncatchers come with a suction cup to enjoy on your window year-round, but they would also look great as an ornament.

Each one has its own personality!

Sold

My original design silver jewelry is available at:
https://www.mosaicsmith.com/collections/all   or
https://mosaicsmith.etsy.com

See my Fire and Rain Mosaic in Person

Edit: This show has closed. The mosaic window is now available in my Etsy MosaicSmith shop - direct link.

My "Fire and Rain" mosaic is currently on display as part of the Member's Show at the Morean Arts Center in St. Petersburg, FL.  If you happen to be in St. Petersburg before October 28th, do stop in and check out the exhibit.  Over 180 fantastic pieces of local art- many of which are for sale.

I was honored to receive an honorable mention award for this piece at the opening reception.

The gallery is at 719 Central Avenue and, behind the gallery, don't miss the Hot Shop! Some of the glass in the flower buds on the Fire side of this mosaic are broken bits from Morean hot shop glass.

"Fire and Rain" has sold.
All available mosaic art:
https://www.etsy.com/shop/MosaicSmith?search_query=mosaic+art

Part 2 - Reversible Mixed Media Glass on Glass Mosaic

Part one of my discussion of my "Fire and Rain" glass on glass mosaic can be found here: http://blog.mosaicsmith.com/2012/07/reversible-mixed-media-glass-on-glass.html

Both sides of "Fire and Rain"

I should clarify- this mosaic is a bit more than a simple glass on glass project. It is really all about layers and could more properly be described as a glass sandwich where a pane of clear glass is the 'filling' and the 'bread' on each side are two unique, but related, mosaics. In addition, the focal flower on the 'fire' side is mosaiced on an additional layer of curved clear glass for the petal. (This process is the focus of Part 1, linked above.)

This post will focus on the process and design decisions for the 'rain' side mosaic.



The 'fire' side needed an upbeat mood.  Clear, vibrant, colors were chosen for that side and the leaves were oriented in a predominantly upbeat position as well. The grout lines for the sky were deliberately random but piece sizes graduated smaller going toward the horizon to give an expansive feeling to the sky. Brighter blue in the upper sky and blue/purple for the lower were chosen to help lead the eye down, as were the predominantly slanting groutlines in the sky.  Flower stem and leaf center vein lines help lead the eye around to the focal flower.

'Fire" side of "Fire and Rain" - detail

But for the 'rain' side, I wanted a more somber mood. Muted colors were key but were carefully chosen so each area was distinct. The central flower is still the focus but construction here was completely different from the 'fire' side.

Textured glass was used where the petals folded from the weight of the rain; very smooth glass for the un-folded portions.

First, the petal shapes were cut in one large piece each, then the petal was scored/broken along vein lines. The pieces, when reassembled and glued in place, had barely any space for grout but enough that a subtly deeper tone of grout defined the vein lines. Click photo for larger view.

Leaf orientation is more somber on this side with their more vertical placement. Stronger emphasis on flower stems both aid in eye movement and contribute to a less-lush feel.

Both sides of "Fire and Rain" - viewed in sunlight

When working glass on glass, the importance of light must also be considered. Especially how the opaqueness of glass and grout on each side interact.

So the light would shine through the 'fire' side central flower, all the flower glass chosen was opaque enough to stand alone in dim light situations but translucent enough to let sunlight make the flowers glow.

Leaf and grass glass is all very opaque but the sky glass on both sides transmit light well. Narrow sky grout lines on the 'rain' side give that side a rain effect but, since they are narrow, only add subtle depth to the 'fire' side sky.

Finishing details: Mosaic is set into a wood frame with a black patina and secured with hand crafted solid copper L brackets that have been hammered and also have a black patina. Mosaic title and artist signature are engraved on small copper plates.

"Fire and Rain" has sold.

I create original design silver jewelry too!! 
https://www.mosaicsmith.com/collections/all   or
https://www.etsy.com/shop/MosaicSmith

Reversible Mixed Media Glass on Glass Mosaic - Part 1

This series of posts will highlight some of the how-to on the making of my "Fire and Rain" glass on glass reversible mosaic. Below is the finished main flower on the 'Fire' side. Click images to enlarge.

Fire side of "Fire and Rain" 9 7/8" x 14 3/8"

The flowers on this side are all made up of individually mosaiced flower petals.

First I cut up a clear glass jar that previously had been used to hold spaghetti sauce. The wide mouth made it easy to use wheeled nippers to get in there to break the glass. Look at the jars in your pantry and you may also see some with interesting curves to the jar glass, especially those with non-vertical sides.  This one had a nice wide curved shoulder area that then sloped down to a highly curved sort of foot area.

Each of those five flower petals above is one large piece of shaped clear glass.

• Once I had my jar broken into large chunks, I played with their orientation so the curves resembled flower petals.  
• Then I marked them with a sharpie marker and nipped them into their final shape with my wheeled nippers. 
• I finished the shaping with my grinder to ensure no sharp edges and to give the edges a 'frost' look.
• When I was happy with their shape, I used GE Silicone II glue to attach them to a sheet of clear glass as well as to each other.

Next step was to prepare the colored glass for the mini mosaics for the flower petals.

I nipped narrow, about 1/8",  bits from colored glass. My plan was to use these bits cut side up on top of the petals. Then the natural curve they have from the wheeled nippers could be used to follow the curve of the clear glass petals. BUT, people touch mosaics! So, to smooth the sharp edges of all those little bits, I placed them all in a small glass jar, added water 3/4 of the way up and a bit of dish soap and then shook them.  And shook them.  And shook them some more. At least 10 minutes of shaking and they still had a semigloss sheen but no sharp edges.

Finally, I could begin mosaicing!

Again, GE Silicone II glue was used to attach the prepared bits to the clear glass petals.

That yellow 'blob' in the center is a cool castoff from a glass blowing shop. It did not make the final mosaic but a similar one was used instead.

Lipstick red grout then completed the flower.  The flower buds on this 'Fire' side of the mosaic were completed the same way.  The green 3D pieces are also glass blowing castoffs.

"Fire and Rain"

Next post will be about the 'Rain' side of the mosaic.
Image at left shows both sides of the completed mosaic as it looks against a white background.

Part 2 of discussion of this mosaic can be viewed here: http://blog.mosaicsmith.com/2012/07/part-2-reversible-mixed-media-glass-on.html

"Fire and Rain" has sold.

I create original design silver jewelry too!! 
https://www.mosaicsmith.com/collections/all   or
https://mosaicsmith.etsy.com